Professor Hsieh will examine interpreters’ functions and ethical dilemmas in managing cross-cultural care, using data collected from provider-patient interactions and in-depth interviews.
In this presentation, the speaker will share with us the initial findings from his latest research project which investigates a new way of working with machine translation output, designed to help mitigate the “fluency trap”.
In this presentation, the speaker will draw on concepts in agency theory to understand better the factors that influence the ways in which translation services are procured and provided, and address the impact of extant and emergent developments specific to the translation industry.
Professor Oksana Dzera & Dr Taras Shmiher of Ivan Franko National University of Lviv will each give a talk: “Ukrainian Bible Translation: The Case of Resistance and Exile” (by Professor Oksana Dzera) and “Liturgical Translation as a Domain of Translation Studies” (by Dr Taras Shmiher).
Mr James Shea and Dr Dorothy Tse, the co-translators of the book Moving a Stone: Selected Poems of Yam Gong, will read and discuss selected poems of the Hong Kong poet, consider his use of wordplay, and explore the challenges and pleasures of rendering his poems in English.
In this presentation, the speaker will explore the nature of ELF and the potential pitfalls it harbours for interpreters. She will present insights from research looking into ELF in relation to interpreting and translation (ITELF) and discuss preliminary results from the CLINT (Cognitive Load in Interpreting and Translation) project that uses multiple methods to answer questions relating to whether or not ELF input actually impacts interpreters’ processing and performance.
In this presentation, the speaker will introduce an approach called machine translation in language teaching (MTILT), which evolved from translation in language teaching (TILT). The MTILT approach draws on the idea of professional translator training and applies it to foreign language teaching.
This talk is a general introduction to Fathoming Translation as Discursive Experience: Theorization and application (Zhu 2021, Routledge).
In the countries that have ratified the UN Convention on the Rights of People with Disability (UN CRPD), access to information for people with disabilities has become an important issue. Depending on the different countries, Easy or Plain Language is the means of choice to improve the readability and comprehensibility of texts. The speaker will talk about her study on how the processing effort and textual quality of the language varieties vary with target groups’ demands.
The speaker will reveal, on the basis of authentic data examples from asylum interviews and legal judgments, how the co-construction of meaning, evidence and identities may amplify the asylum applicant’s vulnerability of voice.
The two speakers will present the research findings in their project designed to investigate metaphors about coronavirus as reflected in both English and Chinese texts published in the Hong Kong SAR.
Dr Yunfei Bai reconstructs a series of interreligious conversations that took place in 1945 at Mount Gongga between two Western journalists, George Henry Johnston (1912–1970) and James Cobb Burke (1915–1964), and various members of the Sino-Tibetan Buddhist community based at Mount Gongga. This encounter during the republican period may serve as a historical precedent for rethinking the protracted contacts between Tibetan Buddhism and other epistemological traditions in the present day.
Professor Kayoko Takeda will will discuss the issues of individual interpreters’ legal responsibility and ethical choices in unlawful or potentially unlawful acts. based on her research and new book “Interpreters and War Crimes” (Routledge).
Professor Brenda Nicodemus will explore the similarities and differences between spoken and signed language interpreting by discussing our respective histories, educational backgrounds, credentialing, and research.
Professor Alice Deignan will describe a project that used corpus linguistic techniques to examine texts on the topic of climate change from expert genres, such as policy reports and academic articles, and materials for school students.
This talk will seek to connect a restated ethics of cooperation with more recent models of risk management, trust, and behavior change, mostly with examples from COVID-19 communications.
No one could have foreseen the far-reaching and devastating effects of the COVID-19 pandemic on international gatherings and the interpreting profession in early 2020. Suddenly, multilingual online meetings were the only way for international organizations to continue their work, and RSI became the principal source of work for thousands of interpreters.
Professor Olsen will introduce to you In this online seminar the recent history and development of remote simultaneous interpretation (RSI) and more.
This talk applies the model of “Behavioral economics” to the translational decision-making that converts national literatures into world literature—but in expanded form, with “Humans” split into Masculine Humans, Feminine Humans, and Queers.
冷戰期間，香港和台灣都在美國的保護傘之下，位於圍堵共產中國的前緣。然而，事實上兩地都頗為依賴中國的翻譯。一方面，兩地譯者絕大多數為出生於中國的流亡知識份子，彼此關係密切，另一方面則是大量使用中國譯者的譯作。
This presentation explores a unique courtroom in the common-law jurisdiction. This uniqueness is particularly characterised by the use of English as the trial language in a predominantly Cantonese-speaking society and the presence of court participants who are proficient in both languages.
A number of approaches can be used to detect the presence of translation in Wikipedia: identifying the rare cases where its presence is documented, comparing extracts from different parallel articles or digging back into the articles’ history to discover the origin of translated text fragments.
In this talk I will discuss my recently published monograph, Ethics and Aesthetics of Translation (UCL Press, 2018). Ethics and Aesthetics of Translation engages with translation, in both theory and practice, as part of an interrogation of ethical as well as political thought in the work of three bilingual European authors: Bernardo Atxaga, Milan Kundera and Jorge Semprún.
Translation process research (TPR) has been said to be in need of being reembedded in a new conceptual and methodological framework (Muñoz ed. 2016). The main reason for this is that meaning has been found or claimed to be ‘4EA’: embodied, embedded, enacted, extended, and affective.
The old Italian adage “traduttore, traditore” does no justice to the valuable work of translators, especially literary translators. Rendering a literary text into another language is no easy task, and although there is general consensus that literature -particularly poetry- is best read in the original language, there are instances in which translations are necessary.
This talk will look at literary illustration as intersemiotic translation, as the “interpretation of verbal signs by means of signs of nonverbal sign systems” (Roman Jakobson). Using as examples illustrations of Lewis Carroll’s Alice in Wonderland, it will ask, amongst other things, how beyond representing scenes and characters, illustrators have “translated” into their own sign system literary elements which have no immediate visual equivalent, such as the verbal nonsense games that characterise Carroll’s novel.
Tibetan director and fiction writer Pema Tseden’s films and fictions from The Silent Holy Stones 《靜靜的嘛呢石》to Tharlo 《塔洛》are acclaimed by scholars and critics to be rare moments which individuate Tibetan characters, rather than conceiving of the Tibetan people en masse as the ethnic and cultural Other of China.
This highly illustrated talk explores food in performance and food as performing art; the performative in cookery, its staging in the kitchen and at the table; exploring piquant analogies and correlations; the theatricality of food and food as a model for theatre, multisensory, processual and communal.
This seminar will focus on a central argument on the task of the translator as a diplomat, by drawing upon my ongoing experience as the series editor and chief translator of the Intellect China Library, a book series that publishes English translation of the latest Chinese scholarship of art and culture.
How can minority writers within China assert their own linguistic individualism whilst also writing in Chinese? Ethnic minority works which deal with local culture, including customs, rituals and traditional legends, can generally be divided into two groups: writing in standard Chinese, and works that are composed in native scripts.
Ethnography is one of the most commonly used research methodologies in the social sciences. It has also long been regarded as ‘the translation of cultures’ (Asad 1986). In this seminar, I shall discuss how ethnography can be used in TS research.
As the demand for professional translation and related services grows in our ever more interconnected world, universities are coming under pressure from different quarters to respond effectively. In this seminar, I shall outline a systematic approach to curricular design to take into account not only the requirements of the language service industry and the market, but also those of other essential stakeholders, in an attempt to offer a roadmap for localized and contextualized curricular design.
During the early Qing dynasty (17-18th century), the Jesuit Figurists, including Joachim Bouvet, Jean-François Foucquet, and Joseph de Prémare, espoused the view that symbols, figures, numbers, terms, and Chinese characters embedded in the Chinese classics proved that the Chinese people had believed in the God of Christianity since antiquity.
In recent years，both Chinese literature and culture are “going global”, which initiated a new wave of “Introduction of Chinese Learning to the West”. In the present “going global” process, it is Chinese literature and culture that attracted world attention rather than Chinese academic scholarships.
Minority Translation Studies (MTS), the study of translation to and from minority languages, evolved out of Descriptive Translation Studies (DTS) in the 1980s, but nobody has proposed Moribund Translation Studies, the study of translation to and from moribund languages, i.e., languages with few native speakers, especially young native speakers.
Internet and big data have put the spur on the development of today’s world at an unprecedented pace. The translation industry which traditionally relied mostly on the production of individual translators is now gradually being replaced by the well-organized modern translation teams operating under the present day production logistics.
The decision made by WWII Allied powers (the United States, the Soviet Union, Britain and France) to prosecute expeditiously Nazi suspected criminals required the use of a simultaneous interpreting system which had been patented by IBM after successful trials at the International Labour Office in Geneva in the late 1920s.
Since he was first introduced to Chinese readers in 1856, in a book titled《大英國誌》(The History of England), Shakespeare has gained more and more popularity in the Chinese speaking world, until he becomes a household name. That popularity is achieved thanks to translation and transformation of his works in various forms.
Disciplinary discourses at the interface between translation studies and activism have been traditionally dominated by ‘structuralist’ perspectives (Pérez-González 2010). Activist translation has therefore tended to be conceptualised as a set of counter-hegemonic practices of mediation invariably associated with written texts, and undertaken by aggrieved constituencies clustered around essentialist categories of identity politics.
Most stage performances of translated theatre “speak in” translation, as they inhabit the world of foreign plays and adopt it as a model for the people and the theatre. Other performances “speak over” translation, as they interpolate the ideas of the local people into the foreign plays, not only in Sinified adaptations but also in supposedly faithful translations.
The internet is a new global space where exchanges take place on several topics and in many languages. Certain platforms provide opportunities for research in the shape of semi-organized data on literary and social contexts and access to possible far-located research populations.
本文通過分析《蒙古秘史》的內容特點、文本形式、版本流傳、語言特徵、翻譯歷史等要素，探討了這部蒙古族典籍的翻譯學價值，並提出宏觀譯學和微觀譯學概念，指出只有充分認識其譯學價值，才能使民族典籍的翻譯研究更加全面。
Since the late 1990s there has been an increasing interest in the representation of Balkan culture in the literary works of authors writing in English. Scholars (Bakić-Hayden 1995, Todorova 1997, Goldsworthy 1998, Norris 1999, Hammond 2010) have shown how literary representations of the Balkans have reflected and reinforced its stereotypical construction as Europe’s “dark and untamed Other”.
The seminar will focus on how the performance of popular music, as well as its reception, can be influenced and shaped by translation and other interlingual activities. It will first offer an overview of the phenomenon by discussing music’s various forms of materiality and the accompanying forms of translation.
This seminar will report on a large, interdisciplinary research project based at the University of Manchester in the UK and funded by the Arts and Humanities Research Council. The project involves compiling large electronic corpora of ancient Greek, medieval Arabic, early Latin and Modern English to examine how central concepts in the humanities and sciences have been (re)translated into these three lingua francas, and how they have been interpreted and reinterpreted as they entered new cultural and temporal spaces.
Chinese women’s appearance on the scene of literary translation has been a long-acknowledged fact. The earliest written record of Chinese women’s translation can be traced back to 1898, and the first woman’s translation of western literature is Xue Shaowei’s (1900) rendition of the French writer Jules Gabriel Verne’s Le Tour du monde en quatre-vingts jours (Around the World in 80 Days), though via its Japanese version.
文化自信與文化自覺相輔相成，但文化自覺過去沒有得到足夠的重視。 要提升國家形象需要有高度的文化自覺，文化自信只有建立在文化自覺之上才是可靠的。就翻譯而言，文化自覺的最終目的就是要在不損害中國文化精神的前提下，以最合適的方式來解讀和翻譯最合適的典籍材料，從而達到消解分歧，促進中外文化的交流，極大地滿足西方受眾閱讀中國典籍的需要。
Interpreting has become a visible and attractive profession in some parts of the world, but many people know little about what it involves in its various branches above and beyond a good mastery of the working languages. Far from being ‘language converting devices’, interpreters constantly analyze incoming (source language) speeches and make decisions on what and how to formulate their target-language speeches.
Eighty four translations of modern and contemporary Chinese literature were published in Spain between 1949 and 2010. The history of this under researched corpus of translations and their reception will form the basis of the discussion in this seminar. I will try to demonstrate two interrelated arguments: the marginality of modern and contemporary Chinese literature in Spain and the mediation of the Anglophone and Francophone literary systems in the Spanish reception.
During Japan’s self-imposed isolation (1639-1859), Nagasaki was the country’s only port open for international trade: merchants from two nations, Holland and China, were granted access. While in Nagasaki, the Dutch and Chinese were each confined to their own tightly controlled districts: on Dejima Island 出島 (from 1639) and in Tōjin yashiki 唐人屋敷 (Chinese Quarter, from 1689) respectively.
Is translation indispensable or expendable? Is it a necessary evil and a constant reminder of our limitations or rather a powerful way of enlarging our understanding and experience? Is translation always benign, beneficial and positive or can it turn into a sinister, malign and ethically dubious activity?